The writings of C.S. Lewis gratify the poetical sense and inspire grand thoughts of God using the power of imagery and the drama of narrative. Elsewhere he wrote, “The story of Christ demands from us, and repays, not only a religious and historical but also an imaginative response. It is directed to the child, the poet, and the savage in us as well as to the conscience and to the intellect. One of its functions is to break down dividing walls.”
Here’s how he depicts the Resurrection and our Redemption:
“…one may think of a diver, first reducing himself to nakedness, then glancing in mid-air, then gone with a splash, vanished, rushing down through green and warm water into black and cold water, down through increasing pressure into the death-like region of ooze and slime and old decay; then up again, back to colour and light, his lungs almost bursting, till suddenly he breaks surface again, holding in his hand the dripping, precious thing that he went down to recover. He and it are both coloured now that they have come up into the light: down below, where it lay colourless in the dark, he lost his colour too.” (Miracles)
Here’s how he depicts the Resurrection and our Redemption:
“…one may think of a diver, first reducing himself to nakedness, then glancing in mid-air, then gone with a splash, vanished, rushing down through green and warm water into black and cold water, down through increasing pressure into the death-like region of ooze and slime and old decay; then up again, back to colour and light, his lungs almost bursting, till suddenly he breaks surface again, holding in his hand the dripping, precious thing that he went down to recover. He and it are both coloured now that they have come up into the light: down below, where it lay colourless in the dark, he lost his colour too.” (Miracles)
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